北京大运河博物馆 | 法国AREP设计集团 ARCHINA 项目

北京大运河博物馆 | 法国AREP设计集团

阅读:3875 2023-12-26

AREP PROJECT | BLENDING THE PAST WITH THE PRESENT, THE CULTURAL LANDMARK SETS SAIL BY THE SIDE OF THE GRAND CANAL - THE GRAND CANAL MUSEUM OF BEIJING

“运河之舟” Canal Boat

碧波荡漾，古韵悠悠。

The clear ripples of Azure Waters, resonating with Ancient Charm.

北京大运河博物馆（首都博物馆东馆）座落于北京副中心城市绿心公园的文化建筑群中，是副中心的重要文化标志之一。博物馆以“运河之舟”为设计理念，将历史元素融入现代建筑，在千年运河之畔，扬起民族文化之帆。

The Grand Canal Museum of Beijing (Capital Museum East Branch) is located within the cultural architectural complex of the Green Heart Park in Beijing's sub-center, serving as a significant cultural symbol of the sub-center. Inspired by the concept of the "Canal Boat," the museum incorporates historical elements into modern architecture, unfurling the sail of national culture by the side of the millennia-old canal.

绿心三馆 The three pavilions of Green Heart Park

1. 规划策略 URBAN DESIGN STRATEGY

从北京向东望去，大运河畔的城市绿心显得分外醒目，而“运河之舟”也停靠于一片宜人的绿色之中，呈东西向布局，随地势起伏而层层铺开。步行所及范围，涵盖了公交车站、地铁站和共享自行车站，便捷地连接各处，很好地将千年前船运码头所带来的城市繁荣和其承载的极大的交通便利性续到了今天。古运河上一则则关于“船、帆、水”的故事，在这里被娓娓道来，显得沉静而舒展，含蓄且包容。

Looking eastward from Beijing, the urban green heart by the side of the Grand Canal stands out prominently, with the "Canal Boat" docked amidst a pleasant green landscape. It is laid out in an east-west direction, unfolding layer by layer with the undulating terrain. Within walking distance, it encompasses bus stops, subway stations, and bike-sharing stations, conveniently connecting various facilities. The prosperity brought by the ancient shipping docks and the tremendous convenience they provided in terms of transportation have been seamlessly carried forward to today. The stories of "boats, sails, and water" on the ancient canal are narrated here, exuding a serene and elegant atmosphere, as well as being implicit and inclusive.

“舟楫千里” The Canal Boat

“船、帆、水”的故事 The stories of "boats, sails, and water"

博物馆总建筑面积9.97万m2（其中地上建筑面积6.20万m2，地下建筑面积3.77万m2），向公众开放的区域达到总建筑面积的70%，由一条自然形态的水系划分南北楼座。而这条独特的“水街”设计，更是极具开放性的，为走入“运河之舟”的公众们展开了一幅幅生动立体的运河文化长卷。

The total construction area of the museum is 99,700 square meters, with an above-ground area of 62,000 square meters and an underground area of 37,700 square meters. The public access area accounts for 70% of the total construction area and is divided into north and south buildings by a natural water system. The unique design of the "water street" is open, providing an immersive experience of the vibrant and three-dimensional cultural heritage of the Grand Canal for visitors stepping into the "Canal Boat".

南北对话 Dialogue between the two parts

空中连桥 The Aerial Bridge

2. 建筑理念 ARCHITECTURE CONCEPT

“舟楫千里，汇聚成城”，水流穿城而过，建筑倒影其间动静交替，步移景异，随观者而动。水街的两侧，博物馆的南楼北楼仿佛两位历经风雨的古人，依河畔而相望，一人若载于舟上，一人若立于城巅，静观千年后的参观者们游历徜徉其间。光阴荏苒，永远不变的，是巨帆掩映下，自然光影的律动和充满京韵的市民生活。

"Boats and oars travel a thousand miles, converging into a city." The water flows through the city, reflecting the alternating stillness and motion of the buildings. The scenery changes with the movements of the people. On both sides of the Water Street, the south and north towers of the museum resemble two ancient figures who have weathered the storms, facing each other by the riverside. One seems to be carried on a boat, while the other stands atop the city, silently observing the visitors who wander through this place a thousand years later. Time passes, but what remains unchanged is the rhythm of natural light and shadow under the giant sails, and the vibrant daily life of the citizens filled with the charm of the city.

城水相依 The interdependence of “the city and water”

夜幕下的水街 The Water Street – Night View

3. 流线与功能 CIRCULATION AND FUNCTION

流线追随功能，主要参观人流由北侧绿心广场入口进入，仿佛登上“运河之舟”，依次走入礼仪大厅、报告厅、放映厅等共享大厅空间，再经过空中连桥，与虚实相间之中，跨越唤醒运河记忆的水街，到达主楼的各个展厅。

The functional layout follows the flow, allowing the public to sequentially enter the ceremonial hall, lecture hall, screening room, and other pre-exhibition spaces. After crossing the aerial bridge, amidst a blend of reality and imagination, they cross the "water street" that awakens memories of the Grand Canal to reach the exhibition halls in the main building.

参观流线示意 Circulation

登“船”入口 Entrance of the "Canal Boat"

北侧共享大厅犹如巨船，坚实厚重，谦逊质朴，具备礼仪活动、观众参观导览、问询、配套服务设施、展览开幕式、开放式展陈等功能；

The shared lobby on the north side resembles a giant ship, solid and substantial, humble and simple, and serves various functions such as ceremonial activities, visitor tours and guidance, inquiries, support services, exhibition openings, and open display.

“船”元素在空间中 The presence of the "boat" element

从立面可见的“船”结构 Structure from the facade

结构细节 Structure detail

南侧主楼形似巨帆，高高扬起，造型舒展，主要包含展厅、社会教育、文物修复、藏品库房、公众交流、图书阅览以及后勤管理等功能空间。

The main building on the south side resembles a giant sail, soaring high with an elegant shape. It primarily houses exhibition halls, social education facilities, artifact restoration areas, storage rooms for collections, public interaction spaces, library reading areas, and logistical management spaces.

主楼与水街 Main building with water street- Exterior View

而水街两侧，丰富的建筑立面语言，也适用于运河场景的布置，为室外沉浸式体验博物馆提供条件。

On both sides of the "water street," the rich architectural facades are also suitable for creating canal scenes, providing conditions for an outdoor immersive museum experience.

夜幕下的水街 The Water Street – Night View

4. 材料语言 MATERIAL

历史上常有“大运河上漂来的北京城”的说法，这反映着中华民族自古以来的造城智慧。因此这座博物馆的材料选择，也必然与历史和文化的要素紧密相关。

The saying "Beijing, the city that drifted to the Grand Canal" in history reflects the ancient wisdom of the Chinese nation in city construction. Therefore, the material selection for this museum is inevitably closely related to historical and cultural elements.

一方面，透光、灵动的白色金属拉网材料与木材质的舱体突出“船与帆”的寓意；另一方面，主楼沿用建筑外墙深灰色石材表现“城”的概念，象征因汇聚“运河文化”而兼容并蓄的“北京文化”。

On one hand, the translucent and dynamic white metal mesh material combined with the wooden structure highlights the intention of "ship and sail" in the design. On the other hand, the main building incorporates a deep gray stone material on its exterior walls to represent the concept of "city," symbolizing the compatibility and integration of "Beijing culture" due to the convergence of "Grand Canal culture."

通透的“帆” The transparent "sail"

室内装饰材料以深色石材、红橡木榆木纹理饰面、仿铜材料为主，以此表现博物馆特有的厚重感。例如在观众共享大厅首层空间，带有轻微色差的深灰色石板表现出“城”的概念，配合地面上水纹状大理石，共同体现出“运河上漂来的北京城”主题。在装饰元素方面，选择云雷纹作为观众共享大厅底面暗纹；因其进深较大，故以二方连续或四方连续增加图案尺度，以此作为柱廊两侧柱头及顶面降板的图案，在丰富空间语言的同时也为观众共享大厅增添一份庄严的氛围。

The interior decoration materials primarily consist of dark stone, red oak and elm wood veneer, and imitation bronze material, which aim to express the unique sense of weight in the museum. For example, in the ground floor of the audience shared hall, slightly different shades of dark gray stone slabs represent the concept of "city," complemented by marble with water-like patterns on the floor, embodying the theme of "Beijing, the city that drifted to the Grand Canal." In terms of decorative elements, Yunlei pattern is chosen as the dark pattern on the bottom surface of the audience shared hall; due to its depth, the pattern scale is increased with two or four continuous squares to be used as patterns for the column heads and top surface of the colonnade, enriching the spatial language while adding a sense of courtesy to the audience shared hall.

木质与石材的对话 Dialogue between wood and stone

水纹状大理石地面 Marble floor with water-like patterns

“船”与“城”的对话 Dialogue between boat and city

5. 节能设计 ECOLOGY DESIGN - EMCCB*

在能源利用方面，我们追求低碳和高效。81%的使用空间至少达到3%的太阳能系数（DF），而主要功能区域的84.1%每小时至少实现2倍的空气更新率。设计采用地热能源，能够满足供暖和空调的需求的55.2%。每个房间都具备独立调节温度的功能，冬季户外公共空间的风速控制在4.5米/秒以下。

In terms of energy utilization, we pursue low carbon and high efficiency. 81% of the occupied spaces have a solar factor (DF) of at least 3%, while 84.1% of the main functional areas achieve an air renewal rate of at least twice per hour. The design incorporates geothermal energy, which can meet the heating and cooling demands of 55.2% of the building. Each room has the capability of independently adjusting temperature, and the wind speed in outdoor public spaces during winter is controlled below 4.5 meters per second.

在材料选择上，我们强调可持续性。81.9%的内部隔板采用可重复使用的材料，而8500平方米的黏土屋顶瓦片让18%的雨水可再利用。而所有使用的材料符合推荐的眩光指数（25），屋顶平均反射系数最低达到0.4（在0到1的范围内）。在占总面积的46%室外绿地中，有70%的地面覆盖物具有渗透性，也为生态环境做出了积极的贡献。

In material selection, we emphasize sustainability. 81.9% of the internal partitions are made from reusable materials, and the 8500 square meters of clay roof tiles enable 18% of rainwater to be reused. All materials used comply with the recommended glare index (25), and the average roof reflectance coefficient is at least 0.4 (within the range of 0 to 1). In the 46% of total area covered by outdoor green spaces, 70% of the ground coverings have permeability, making a positive contribution to the ecological environment.