2025 年俄罗斯金砖城市论坛系列学术活动期间，时境建筑（Atelier Alter Architects）联合创始人卜骁骏受邀参与 A-Class House 与莫斯科建筑大学（MARCHI）联合发起的学术交流活动，以 “失重大地 Weightless Ground” 为核心主题，通过 10 余个已落地的原创项目，系统分享了事务所十六年的建筑实践与核心思考，与现场师生展开深度互动，让植根中国实践的建筑艺术理念在跨文化对话中形成共鸣。

During the series of academic activities of the 2025 BRICS Urban Forum in Russia, Xiaojun Bu, co-founder of Atelier Alter Architects, was invited to participate in the academic exchange event co-hosted by A-Class House and Moscow Architectural Institute (MARCHI). With "Weightless Ground" as the core theme, he systematically shared the firm’s 16 years of architectural practice and core insights through more than 10 completed original projects, engaging in in-depth interactions with teachers and students on site, and resonating cross-cultural dialogues with architectural artistic concepts rooted in Chinese practice.

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莫斯科建筑大学：

跨文化建筑思想的交汇场

Moscow Architectural Institute:  

Hub for Cross-Cultural Architectural Ideas

作为俄罗斯建筑教育的标杆学府，莫斯科建筑大学（MARCHI）以深厚的历史积淀与开放的学术视野，成为全球建筑界思想碰撞的重要平台。该校既珍视千年建筑遗产与艺术传统，也关注年轻一代建筑师的创新探索，此次邀请时境建筑分享，恰是源于双方对 “建筑艺术本质” 的共同追求 —— 既尊重地域文化生态，又鼓励突破固有边界的原创表达，为中俄建筑界搭建了一场关于实践与思想的深度对话。

As a benchmark institution for architectural education in Russia, Moscow Architectural Institute (MARCHI) has become an important platform for ideological exchanges in the global architectural community with its profound historical heritage and open academic perspective. The university cherishes thousands of years of architectural heritage and artistic traditions while focusing on the innovative exploration of young architects. This invitation to Atelier Alter stems from the shared pursuit of "the essence of architectural art"—respecting regional cultural ecology while encouraging original expression that breaks through inherent boundaries, thus building a in-depth dialogue on practice and ideas between Chinese and Russian architectural circles.

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演讲核心：

原创实践与思想输出，

解码 “失重大地” 的建筑表达

Core of the Speech: 

Original Practice and Ideological Output, 

Decoding the Architectural Expression of "Weightless Ground"

讲座以 “建筑是艺术的核心部分，而非工程或房地产的附属” 为开篇，明确时境建筑的创作立场：拒绝符号化复刻与同质化设计，坚持以原创语言回应场地、文化与功能需求。围绕 “失重大地” 的诗意内核 —— 挑战重力束缚、融合地景与建筑、让厚重文脉以轻盈形态呈现，卜骁骏结合 10 余个覆盖多尺度、多类型的建成项目，拆解了从概念到落地的完整逻辑：

Opening with the assertion that "architecture is a core part of art, not a subsidiary of engineering or real estate," the lecture clarified Atelier Alter’s creative stance: rejecting symbolic reproduction and homogeneous design, and adhering to developing original languages to respond to site, culture, and functional needs. Centering on the poetic core of "Weightless Ground"—challenging the constraints of gravity, integrating landscape with architecture, and presenting profound cultural context in a lightweight form—Xiaojun Bu dissected the complete logic from concept to implementation through more than 10 completed projects covering multiple scales and types:

1. 文化地标类：文脉的当代转译与重力挑战

Cultural Landmark Projects: Contemporary Interpretation of Cultural Context and Gravity Challenge

• 英良石材自然历史博物馆
  以石材行业的 “水晶热熔成岩” 为灵感，借用水晶内部空间语言打造建筑形态。设计通过 skylight 引入天光，在博物馆内部形成安藤忠雄命名的 “无影空间”，既用轻盈的设计手法表达石材的厚重质感，又让光线成为空间的核心叙事元素，实现 “漂浮水晶” 的视觉体验。建筑将展览空间与办公区域通过光影反射巧妙衔接，让石材既是建筑载体，也是文化表达的主角。
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• Yingliang Stone Natural History Museum
  Inspired by the stone industry’s "crystal melting into rock" process, the design adopts the spatial language of crystal interiors to create the architectural form. By introducing skylights, it forms the "shadowless space" named by Tadao Ando inside the museum. It expresses the heavy texture of stone through lightweight design techniques while making light the core narrative element of the space, achieving the visual experience of a "floating crystal." The building cleverly connects exhibition spaces and office areas through light reflection, making stone both a architectural carrier and the protagonist of cultural expression.

• 圣农博物馆
  为中国最大鸡肉供应商打造的零排放生态博物馆，选址于武夷山山区。设计核心是 “抬升地面为山体”，将建筑拆解为三片折叠的地面形态，借鉴挡土墙的结构逻辑避免土体坍塌，形成自然生长的建筑轮廓。建筑无方形门窗开口，通风系统与外立面波纹图案一体化设计，600 毫米厚的屋顶覆土种植植被，兼具雨水收集与自洁功能，屋顶坡道与观景平台向市民开放，成为日均三百人使用的公共空间。内部以 “鸡肉储粮塔” 为原型，打造类似古根海姆的螺旋式展览动线，入口大厅则以纯粹的空间形态营造出教堂般的精神氛围。
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• Sunner Museum
  A zero-emission ecological museum built for China’s largest chicken supplier, located in the Wuyi Mountain area. The core design is "elevating the ground into a mountain range," disassembling the building into three folded ground forms, and drawing on the structural logic of retaining walls to avoid soil collapse, resulting in a naturally growing architectural silhouette. The building has no square door or window openings; the ventilation system is integrated with the corrugated pattern of the facade. The 600-millimeter-thick roof is covered with soil and vegetation, featuring both rainwater collection and self-cleaning functions. The roof ramps and viewing platforms are open to the public, becoming a public space used by 300 people daily. Internally, based on the prototype of "chicken feed storage towers," a spiral exhibition route similar to the Guggenheim Museum is created, while the entrance hall creates a church-like spiritual atmosphere with its pure spatial form.
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• 曲靖博物馆
  聚焦 “化石埋藏于岩层” 的核心意象，将地面层级反转至建筑上部，通过层叠的空间形态模拟地质构造，让展览动线成为 “挖掘化石” 的探索过程，既呼应地域历史，又创造出独特的空间体验。
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• Qujing Fossil Museum
  Focusing on the core imagery of "fossils buried in rock layers," the design inverts the ground levels to the upper part of the building, simulating geological structures through stacked spatial forms, making the exhibition route an exploration process of "excavating fossils," which not only echoes regional history but also creates a unique spatial experience.
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2. 工业遗存与改造类：旧空间的新生逻辑

Industrial Heritage Renovation Projects: Logic of Rebirth for Old Spaces

• 大理变压公园剧场
• 保留上世纪 80 年代鞋盒式厂房的混凝土主体结构，将当地传统灰瓦屋顶的语言转化为现代浮动坡道与立面元素。设计打破 “剧院局限于室内” 的常规，在屋顶设置露天舞台与休憩平台，让演员可在室外排练、表演，使建筑融入城市日常。室内通过可升降的浮动舞台、一体化的咖啡吧表演区，模糊了表演与生活的边界，实现大尺度剧场结构与小尺度地域建筑的融合。
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• Dali Transformer Park Theater
  Retaining the concrete main structure of the 1980s shoebox-style factory, the design transforms the language of local traditional gray tile roofs into modern floating ramps and facade elements. Breaking the convention that "theaters are confined indoors," the design sets up open-air stages and rest platforms on the roof, allowing actors to rehearse and perform outdoors, integrating the building into daily urban life. Internally, through a liftable floating stage and an integrated coffee bar performance area, the boundary between performance and life is blurred, achieving the integration of large-scale theater structures and small-scale regional architecture.
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• 高时博物馆
  为全球最大石材供应商设计的翻新项目，核心命题是 “让厚表皮成为建筑本身”。借鉴埃及神庙与希腊柱式的厚重感，以 4 米 ×2 米 ×2 米的巨型石材为基本体量，通过石材间的缝隙形成采光与交通空间，拒绝传统门窗开口，以 “切割而非开凿” 的方式实现通风与采光。设计团队利用客户提供的 400 种石材进行类型研究，探索出 “缝隙即空间” 的全新建筑语言，让立面的厚重感与光线的轻盈感形成强烈对比。
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• Best Cheers Stone Museum
  A renovation project designed for the world’s largest stone supplier, with the core proposition of "making thick skin itself architecture." Drawing on the sense of thickness of Egyptian temples and Greek columns, large stone blocks of 4m×2m×2m are used as the basic volume, forming lighting and circulation spaces through gaps between the stones. Rejecting traditional door and window openings, it achieves ventilation and lighting through "cutting rather than drilling." The design team conducted typological research using 400 types of stones provided by the client, exploring a new architectural language of "gaps as spaces," creating a strong contrast between the thickness of the facade and the lightness of light.
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3. 公共与综合类：多尺度的原创探索

Public and Comprehensive Projects: Original Exploration Across Scales

• 北理工体育馆
  服务于顶尖军事院校的综合体育设施，涵盖泳池、篮球场、健身房等功能。设计以 “导弹轨迹” 为原型，打造连续曲面的浮动屋顶，既呼应学校的火箭科研特色，又通过大跨度悬臂结构创造出开阔的户外公共空间。建筑成为校园科技活动的核心载体，华为等企业在此举办机器人竞赛与人才招聘，实现体育功能与学术交流的多元融合。
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• BIT Sports Center 
• A comprehensive sports facility serving a top military university, including a swimming pool, basketball court, gymnasium and other functions. Inspired by "missile trajectories," the design creates a continuous curved floating roof that not only echoes the university’s rocket research characteristics but also creates an open outdoor public space through a large-span cantilever structure. The building has become the core carrier of campus technological activities, where companies such as Huawei hold robot competitions and talent recruitment, realizing the multi-fusion of sports functions and academic exchanges.

• 五里春秋泛文化艺术中心
  北京山区的销售办公建筑，核心设计是 “将地面延伸至屋顶”。通过折叠式的空中连廊与悬浮展廊，串联起分散的功能空间，让访客从地面经坡道自然抵达屋顶观景平台，全程感受 “从地面到空中” 的空间转换。建筑内部由路径系统主导，所有功能空间围绕动线展开，形成无边界的流动体验，彻底打破传统办公建筑的封闭形态。
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• Wuli Epoch Culture Center
  A sales and office building in the mountainous area of Beijing, with the core design of "extending the ground to the roof." Through folded aerial corridors and suspended galleries, scattered functional spaces are connected, allowing visitors to naturally reach the roof viewing platform from the ground via ramps, experiencing the spatial transformation "from the ground to the air" throughout the journey. The interior of the building is dominated by a circulation system, with all functional spaces arranged around the movement line, forming a borderless flowing experience that completely breaks the closed form of traditional office buildings.

• 中法生态城文体中心
  选址于汉代文化遗址与湿地交汇处，以 “绿色材料 + 参数化设计” 为核心，建筑整体采用绿色石材与玻璃纤维增强混凝土（GRC），形态呼应湿地地貌与青铜文化遗产。建筑坡道可直达屋顶，实现城市、湿地与建筑的视觉连通，目前虽未完工，但已成为市民争先体验的公共空间。
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• Sino-France Culture Center
  Located at the intersection of a Han Dynasty cultural site and a wetland, with "green materials + parametric design" as the core, the building adopts green stone and glass fiber reinforced concrete (GRC) as a whole, with a form echoing the wetland landscape and bronze cultural heritage. The building’s ramps lead directly to the roof, realizing visual connection between the city, wetland and architecture. Although not yet completed, it has become a public space that citizens are eager to experience.
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4. 概念与竞赛类：思想的边界探索

Conceptual and Competition Projects: Exploring the Boundaries of Ideas

• 迪拜赛马场周边塔楼竞赛方案
  以 “马尾拂风” 为灵感，结合海洋气流特点，打造形态流畅的塔楼与裙房一体化设计。建筑将结构与形态融为一体，以 “一笔成型” 的曲线回应场地的运动感与自然环境，虽未中标，但展现了对特定场地条件的精准回应能力。
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• Dubai Racecourse Surrounding Tower Competition Entry
  Inspired by "horse tails fluttering in the wind," combined with the characteristics of ocean air currents, it creates an integrated design of towers and podiums with smooth forms. The building integrates structure and form, responding to the sense of movement and natural environment of the site with a "one-stroke" curve. Although not winning the bid, it demonstrates the ability to accurately respond to specific site conditions.

• 废弃防疫单元改造社区中心
• 针对疫情后大量闲置的单体防疫单元，提出 “货架式屋顶结构” 的整合方案。将功能完善但无人使用的防疫单元悬挂于坡屋顶框架内，形成全新的社区商业与活动空间，在保留既有设施功能的基础上，实现空间的再生与重组。
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• Abandoned Epidemic Prevention Unit Renovation Community Center
  Aiming at a large number of idle single epidemic prevention units after the pandemic, the "shelf-type roof structure" integration scheme is proposed. The epidemic prevention units with complete functions but no one to use are suspended in the gable roof frame, forming a new community commercial and activity space, realizing the regeneration and reorganization of space on the basis of retaining the functions of existing facilities.

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核心观点：

建筑是艺术，

更是对世界的回应

Core Insights: 

Architecture is Art, 

and More Importantly, a Response to the World

讲座中，卜骁骏基于实践输出了鲜明的设计主张，引发现场深度思考：

During the lecture, Xiaojun Bu put forward distinct design propositions based on practice, triggering in-depth on-site thinking:

• 原创与 AI 的本质区别：
• “设计不是给婴儿拍照，而是孕育婴儿”，AI 可复制既有形式，但原创源于对场地、文化与需求的深度理解，是不可复制的思想产物。
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• The essential difference between originality and AI: "Design is not taking photos of babies, but giving birth to babies." AI can replicate existing forms, but originality stems from in-depth understanding of the site, culture and needs, and is an irreproducible ideological product.
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• 建筑的艺术属性：
• 建筑应超越功能与效率，承载哲学思考与社会责任，是建筑师个性与社会生态的双重表达。
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• The artistic attribute of architecture: Architecture should go beyond function and efficiency, carrying philosophical thinking and social responsibility, and being a dual expression of the architect’s personality and social ecology.
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• 地域文化的转译：
• 中国与莫斯科均面临历史遗产的 “重量”，但年轻建筑师应跳出符号复刻，以抽象语言回应文化，如中国水墨的抽象意境与俄罗斯油画的写实传统，虽形式不同，核心都是对地域生态的尊重。
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• The interpretation of regional culture: Both China and Moscow face the "weight" of historical heritage, but young architects should jump out of symbolic reproduction and respond to culture with abstract languages. For example, the abstract artistic conception of Chinese ink painting and the realistic tradition of Russian oil painting, although different in form, both are rooted in respect for regional ecology.
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• 多尺度实践的价值：
• 事务所的作品从家具大小的装置到 16 万平方米的文体综合体，拒绝被单一尺度局限，认为不同尺度的探索能相互滋养，让小设计的巧思融入大建筑，让大项目的逻辑赋能小空间。
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• The value of multi-scale practice: The firm’s works range from furniture-sized installations to 160,000-square-meter cultural and sports complexes, refusing to be limited by a single scale. It is believed that exploration at different scales can nourish each other, integrating the ingenuity of small designs into large buildings and empowering small spaces with the logic of large projects.

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互动亮点：

直面实践困惑，

分享务实经验

Highlights of Interaction:

 Facing Practical Puzzles and 

Sharing Pragmatic Experience

问答环节中，师生围绕 “复杂设计的落地”“客户沟通”“场地分析” 等实际问题展开提问，卜骁骏的回应兼具思想性与实用性：

During the Q&A session, teachers and students raised practical questions such as "the implementation of complex designs," "client communication," and "site analysis," and Xiaojun Bu’s responses were both ideological and practical:

• 关于 “如何说服客户接受高难度设计”：
• “客户购买的不仅是功能，更是想象力与认同感。我们通过精准的场景呈现与价值阐释，让客户看到原创设计带来的独特影响力，这是双赢的结果。”
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• Regarding "how to persuade clients to accept high-difficulty designs": "Clients buy not only functions but also imagination and identity. Through accurate scene presentation and value interpretation, we let clients see the unique influence brought by original design, which is a win-win result."
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• 关于 “政府与私人客户的差异”：
• “政府项目更注重公共价值，给予建筑师更多艺术表达的自由；私人客户虽有商业诉求，但越来越多的客户愿意为原创买单，因为他们明白独特性就是核心竞争力。”
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• Regarding "the difference between government and private clients": "Government projects pay more attention to public value and give architects more freedom for artistic expression; although private clients have commercial demands, more and more clients are willing to pay for originality because they understand that uniqueness is the core competitiveness."
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• 关于 “场地分析方法”：
• “分析需兼顾物理层面（地形、气候、视线）与抽象层面（历史、文化、客户需求），我们会制定明确的目标清单，比如‘必须做好绿色表达’‘强化公共属性’，让设计始终围绕核心价值展开。”
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• Regarding "site analysis methods": "Analysis should consider both physical aspects (terrain, climate, sightlines) and abstract aspects (history, culture, client needs). We will formulate clear goal lists, such as ^must do a good job in green expression^ and ^strengthen public attributes,^ so that the design always focuses on core values."
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5

交流意义：

中国原创建筑的跨文化表达

Significance of the Exchange: 

Cross-Cultural Expression of Chinese Original Architecture

此次莫斯科之行，时境建筑并未刻意强调奖项与荣誉，而是以扎实的建成项目、鲜明的思想主张，展现了中国新锐建筑事务所的实践深度。从 “失重大地” 的诗意理念，到每个项目中对场地、文化、功能的精准回应，既体现了对建筑艺术本质的坚守，也展现了中国建筑师在处理多尺度、多类型项目时的成熟落地能力。

During this trip to Moscow, Atelier Alter did not deliberately emphasize awards and honors, but demonstrated the practical depth of Chinese emerging architectural firms through solid completed projects and distinct ideological propositions. From the poetic concept of "Weightless Ground" to the accurate response to site, culture and function in each project, it not only reflects the adherence to the essence of architectural art but also shows the mature implementation ability of Chinese architects in handling multi-scale and multi-type projects.

随着中国国力的提升与建筑实践的丰富，中国设计已不再是西方范式的追随者，而是以自身对艺术、文化与生活的理解，为全球建筑界提供东方视角。时境建筑的分享，正是这种转变的生动缩影 —— 以原创为核心，以实践为根基，让中国建筑的思想与表达在国际舞台上获得真正的认同与共鸣。

With the improvement of China’s national strength and the enrichment of architectural practice, Chinese design is no longer a follower of Western paradigms, but provides an Eastern perspective for the global architectural community with its own understanding of art, culture and life. Atelier Alter’s sharing is a vivid epitome of this transformation—taking originality as the core and practice as the foundation, allowing the ideas and expressions of Chinese architecture to gain genuine recognition and resonance on the international stage.