堆叠的盒子，记忆的堆叠
空间本就是承载记忆的盒子，项目以“堆叠的盒子”为设计理念，表达着对生活的情绪与珍视，承载过往的同时，也满怀对未来的憧憬。
延续产城融合的发展内核，我们从规划设计出发努力打造适合在地属性的空间，用分解的手法，打碎、叠加、重组空间功能，创造出多节点空间，并在看似不确定的空间内，置入多个节点又将空间重新串联，商业与城市空间在功能上实现了相互流动，相辅相成。
△建筑解析图
不同于以往传统项目的设计手法，首府科创城在表达建筑美学观点的同时，会以更具参与性的特质积极地与周边的人和自然相互渗透，强调整体与统一。我们注重的是城市新与旧的相融相生，强调建筑的公共性，希望可以由点及面的带动城市界面的美学提升。
DIFFERENT FROM THE DESIGNMETHODS OF TRADITIONAL PROJECTS IN THE PAST, THE CAPITAL CITY OF SCIENCE ANDTECHNOLOGY INNOVATION WILL ACTIVELY INFILTRATE WITH THE SURROUNDING PEOPLE ANDNATURE WITH MORE PARTICIPATORY CHARACTERISTICS WHILE EXPRESSING THE VIEWS OFARCHITECTURAL AESTHETICS, EMPHASIZING INTEGRITY AND UNITY. WE FOCUS ON THEINTEGRATION OF THE NEW AND THE OLD, EMPHASIZE THE PUBLICITY OF BUILDINGS, ANDHOPE TO DRIVE THE AESTHETIC IMPROVEMENT OF THE URBAN INTERFACE FROM POINT TOSURFACE.
△草图模型
漫步空间，探寻者在时间的流逝中感受旧梦的新生，是他的心声，亦是此间的新生。错落有致的空间内，在每一个转角处都有所感。也许是因为光的降临，也许是因为物的呈现。设计师遵循空间的精神与气度，延续建筑形体特质在室内设计呈现反重力学设计，12M共享空间悬浮BOXES。利用固有形态完形空间尺度关系使其具备未来空间感。同时在展项设计上借助超尺度裸眼3D提升科技展厅的独特魅力。
WALKING IN THE SPACE, THEEXPLORER FEELS THE REBIRTH OF THE OLD DREAM IN THE PASSAGE OF TIME, WHICH ISNOT ONLY HIS VOICE, BUT ALSO THE REBIRTH HERE. IN THE SCATTERED SPACE, THERE ISA SENSE AT EVERY CORNER. MAYBE IT'S THE COMING OF LIGHT, MAYBE IT'S THEAPPEARANCE OF THINGS. THE DESIGNER FOLLOWS THE SPIRIT AND BEARING OF SPACE,CONTINUES THE CHARACTERISTICS OF ARCHITECTURAL FORM, PRESENTS ANTI GRAVITYDESIGN IN INTERIOR DESIGN, AND SUSPENDED BOXES IN 12M SHARED SPACE. USING THEINHERENT MORPHOLOGICAL GESTALT SPATIAL SCALE RELATIONSHIP, IT HAS A SENSE OFFUTURE SPACE. AT THE SAME TIME, IN TERMS OF EXHIBITION DESIGN, THE UNIQUE CHARMOF THE SCIENCE AND TECHNOLOGY EXHIBITION HALL IS ENHANCED WITH THE HELP OFSUPER SCALE NAKED EYE 3D.
URBANRENEWAL
△实景展示
"SPLIT" LITERALLYMEANS DISASSEMBLY AND DECONSTRUCTION. FOR LOCAL SPACE AND LARGE-SCALE, WE TRYTO DIVIDE IT INTO PARTS, COMPLETELY DISASSEMBLE AND BREAK THE TOP SURFACE OFWALL AND GROUND, AND IMAGINE EACH INDIVIDUAL BLOCK OF SPACE AS A UNIT. IN TERMSOF DESIGN TECHNIQUES, WE USE THE SEPARATION OF BODY AND BLOCK AND BLOCK TOCONTINUOUSLY FORM NEW PHYSICAL FEATURES. WE SPLIT AND REORGANIZE THEM. INADDITION, IN THE SCULPTURE SKETCH, THE FLYING SAUCER FORM WITH GREATPERSONALITY AND SENSE OF FUTURE IS EMBEDDED INTO THE WALL.
没有一样工业产品能像汽车一样深入参与人类文明的进程，从百年前的工业革命到未来的虚拟世界，汽车和人类社会的每一步都息息相关。由此，设计师在前厅的两组装置以超越时间跨度的呈现，寓意着传统与未来的对话。
NOINDUSTRIAL PRODUCT CAN PARTICIPATE IN THE PROCESS OF HUMAN CIVILIZATION ASDEEPLY AS AUTOMOBILE. FROM THE INDUSTRIAL REVOLUTION A HUNDRED YEARS AGO TO THEFUTURE VIRTUAL WORLD, AUTOMOBILE IS CLOSELY RELATED TO EVERY STEP OF HUMANSOCIETY. THUS, THE TWO SETS OF DEVICES IN THE FRONT HALL ARE PRESENTED BEYONDTHE TIME SPAN, IMPLYING THE DIALOGUE BETWEEN TRADITION AND THE FUTURE.
高速的科技与经济发展，模糊了未来的城市的边界，各种先进的科技改变了城市的面貌，让光明与黑暗可以并存。我们生存在一个边界消亡的时代，虚与实的边界，梦境与生活的边界，人与机器的边界，都在不断被弱化。项目本身所处的地理位置早年间受惠于一线城市的经济辐射作用，以汽车文化为主题的业态脱颖而出之后，依靠本地经济发展，同样不断弱化着与一线城市的边界。城市穿透人们的记忆和现实，每一个生活其间的人都共同分享着城市的情感、温度和味道。今天，科技似乎为人类提供了几乎无限的可能性，我们拥有更饱满、更动人的情感体验。设计者笔下那些生动的设计细节，凝结着一个城市地理和历史中最具生命力的记录，如某一个瞬间，却又显得如此隽永。
THERAPID DEVELOPMENT OF SCIENCE AND TECHNOLOGY AND ECONOMY HAS BLURRED THEBOUNDARY OF THE FUTURE CITY. VARIOUS ADVANCED TECHNOLOGIES HAVE CHANGED THEAPPEARANCE OF THE CITY, SO THAT LIGHT AND DARKNESS CAN COEXIST. WE LIVE IN ANERA OF BOUNDARY EXTINCTION. THE BOUNDARY BETWEEN VIRTUAL AND REAL, THE BOUNDARYBETWEEN DREAM AND LIFE, AND THE BOUNDARY BETWEEN MAN AND MACHINE ARE CONSTANTLYWEAKENED.
△视频置入
△草图模型
机械的精密美感充满秩序的魅力，由汽车零件组成的装置，象征着一个时代；充满未来装置犹如外太空陨落的飞行器，将观众引入某种状态，又像一只巨大的眼睛注视着一切。二者通过充满戏剧性的方式呈现，进行着一场过去和未来的对话。
THEPRECISION BEAUTY OF MACHINERY IS FULL OF THE CHARM OF ORDER. THE DEVICECOMPOSED OF AUTOMOBILE PARTS SYMBOLIZES AN ERA; FILLED WITH FUTURE DEVICES, ITIS LIKE A FALLING AIRCRAFT IN OUTER SPACE, WHICH LEADS THE AUDIENCE INTO ACERTAIN STATE, AND LOOKS AT EVERYTHING LIKE A HUGE EYE. THE TWO ARE PRESENTEDIN A DRAMATIC WAY AND HAVE A DIALOGUE BETWEEN THE PAST AND THE FUTURE.
PLAN
平面布置
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