aac（建筑文化学院）2019年春季工作坊将以“日本宫”为题，对德累斯顿最后一座尚未翻新的大型博物馆“日本宫”（Japanisches Palais）进行改造设计和功能梳理。为了未来相关的展览开放，对这座一直以来相当内敛的宫殿建筑的改造迫在眉睫。日本宫位于易北河北岸的中心地区，可以直接欣赏到德累斯顿的著名地标茨温格宫（Zwinger）以及森柏歌剧院（Semperoper），是德累斯顿博物馆建筑景观群的重要组成部分。

The spring workshop of the Academy for Architectural Culture is dedicated to the development of designs for a redesign and reorientation of the "Japanisches Palais" in Dresden. The Japanisches Palais is the last large museum in Dresden that has not yet been renovated. Previously a rather introverted palace building, its opening to a future-relevant exhibition building is imminent. With its central location on the northern bank of the Elbe, in direct view of the Zwinger and the Semperoper, it is a significant building block in the important museum landscape of Dresden.

The Japanische Palais in Dresden © Enno Maass

Luftbild/Satelite view © 2018 Google Earth Pro

德累斯顿国家艺术收藏馆（共有包括日本宫在内的12座分馆）具有超过450年的历史，是德国历史最悠久、目前第二大的博物馆协会。在这些博物馆中收藏着众多世界知名杰作，尤其是在历代大师画廊中拉斐尔的《西斯廷圣母》，以及其他在绿穹珍宝馆中的藏品。

The Staatliche Kunstsammlungen Dresden (SKD) are the oldest and currently second largest museum association in Germany with over 450 years of history. In their museums, the SKD show masterpieces of world renown, especially Raphael's "Sistine Madonna" in the Gemäldegalerie Alte Meister, as well as exhibits from the Historisches Grünes Gewölbe and the Neues Grünes Gewölbe.

奥古斯都一世于1560年建立了德累斯顿艺术协会，它被视为德累斯顿国家艺术收藏馆重要馆藏的基础。随着这个博物馆的成立，他将手工艺品、美术作品、科学与数学仪器及物品结合展出。这一系列收藏不仅被构思为展览，也被视为“工作收藏”。奥古斯都一世在馆内拥有自己的工作区并且进行创作，同时他为当地的手工艺人提供了用于实验和设计的工具、书籍和材料，以便进一步地发展新藏品并保持其活力。这一“工作收藏”的概念，对于日本宫的新博物馆概念十分重要，因为其目的正是鼓励公众在对展品的纯美学审视之上，更多地参与博物馆活动，例如展览工作坊以及互动装置。

Elector Augustus the First founded the Art Cabinet in Dresden in 1560, which is to be seen as the foundation of the SKD's important collection. With the founding of this museum, he combined handicrafts and fine arts as well as scientific and mathematical instruments and objects. This collection was not only conceived as an exhibition, but also as a "working collection". August the First had his own working area on site and created objects there, but also provided the regional craftsmen with tools, books and materials for experimentation and design in order to develop the collection further and keep it alive. This aspect of the "working collection" is of great importance for the new museum concept in the Japanisches Palais, since the intention is to actively involve the public in the museum events beyond the purely aesthetic examination of the exhibited objects, e.g. through accessible show workshops and interactive museum installations.

因此，公众的参与融入，也将对新博物馆的建筑概念起到决定性的作用，建筑可达性与透明性的表达，是工作坊设计任务的挑战之一。此外，除了永久和临时展区，新的空间还包括带有公共功能的宽敞门厅，为参观者提供必要的流线导向和高质量的停留空间。

The involvement and integration of the public will thus also be decisive for the architectural concept of the new museum model, whereby the structural implementation of accessibility and transparency is one of the challenges of the workshop.

In addition, besides the permanent and temporary exhibition areas, the new space allocation programme includes spacious foyer areas with public functions designed to provide visitors with the necessary orientation and a high quality of stay.

本次aac工作坊的设计任务是，为一个重要历史建筑中的在未来具有高度公众利益和文化价值的项目提出设计解决方案。与之前的工aac工作坊相似，设计任务基于真实的条件和要求，在与德累斯顿国家艺术收藏馆的合作中，确定了实际的基地。

The task of the aac workshop is to develop a design solution for a future project with high public interest and cultural value in an important historical building. The programme to be realised is again based on real conditions and requirements and was created in cooperation with the SKD for the actual location.

设计工作坊的成员将分小组进行合作设计，在方案指导和评图之外，工作坊成员还将参与公开讲座和在德累斯顿的实地考察。工作坊结束时，设计成果计划将以展览的形式，在aac与德累斯顿日本宫展出。

Designs are conceived and developed in internationally composed groups. In addition to tutorials and interim presentations, the workshop will be accompanied by a public lecture programme. A joint excursion to Dresden is also part of the workshop programme.
At the end of the workshop, the results are planned to be shown in the form of an exhibition both in the premises of aac in Hamburg and in the Japanisches Palais in Dresden.

请点击文末的“阅读原文”，下载工作坊详细资料，了解申请资格与申请流程。本期工作坊将于2019年3月13日至4月5日进行，申请截至日期为2019年1月14日。

Please click “Read More” at the bottom to download Prospectus, find out more about the application. The workshop will take place between 13 March and 5 April 2019, and the application deadline is 14 Jan 2019.

Campus Rainvilleterrasse © Marcus Bredt

aac students on top of aac roof terrace © Julia Ackermann

aac workshop in teams © Julia Ackermann

aac workshop in teams © Jochen Stüber

Terrace view in Campus Rainvilleterrasse © Heiner Leiska