上海发现乐山美味 | 力场建筑设计 ARCHINA 项目

上海发现乐山美味 | 力场建筑设计

阅读:2432 2022-05-01

▲峡谷局部3 ©吴鉴泉

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▲轻薄拱形与厚重墙体对比衔接 ©吴鉴泉 640 (2).jpg ▲拱形卡座 ©吴鉴泉

项目背景

项目位于上海市黄浦区南京东路世茂广场6F，餐厅以发现四川乐山美食为主题氛围空间。

Project Background

The project is located at 6F Shimao Festival City, Nanjing East Road, Huangpu District, Shanghai, and the restaurant is themed on the atmosphere of discovering Sichuan Leshan cuisine.

峡谷顶部轮廓 ©Linkchance Architects

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▲客区局部3©吴鉴泉

场力

空间纵向的力远超横向的力：场地位于商场末端，空间进深很深但层高较低，纵向空间很难发挥；由于纵向层高局限，所以横向如何做出空间延伸感及层次感是化解整个空间问题的核心；现场顶部排烟、消防管道错乱复杂且体量之大，给身处其下人的压迫力极强；因此如何平衡纵向与横向的力而使人感到舒适是本项目难点也是突破点。

Forces

The vertical force of space far exceeds the horizontal force: the site is located at the end of the mall, the depth of space is very deep but the height of the floor is low, so it is difficult to play the vertical space; because of the vertical height limitation, so how to make the sense of space extension and hierarchy of the horizontal is the core of solving the whole space problem; the top of the site smoke and fire pipes are disorderly and complex and the volume is large, giving people under the oppressive force is very strong; so how to balance the vertical and horizontal force and make people feel comfortable is the difficulty and breakthrough point of this project.

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▲ 峡谷通道 ©吴鉴泉

挑战

如何将人文景观元素融入室内空间而不显得突兀？如何体现乐山文化？如何将现代工业感的精酿设备融入原始峡谷空间？如何实现原始力量感与现代感的平衡？

Challenge

How to integrate humanistic landscape elements into interior space without looking abrupt? How to reflect the culture of Leshan? How to integrate the modern industrial sense of craft brewing equipment into the original canyon space? How to achieve a flat cross between original power and modernity?

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▲精酿啤酒吧台 ©吴鉴泉

力场

路径张力：从主入口到客区先营造一段蜿蜒、纯粹的峡谷地段，顶部可以看到明显的峡谷弯曲边界，南侧峡谷的背面是精酿啤酒区融合吧台，三个大体量精酿啤酒罐镶嵌在厚实的墙体造型内，如同一段粗野峡谷中闪现精酿啤酒工厂氛围，站在吧台区可以看到整个用餐区。

Vibes

Path tension: from the main entrance to the guest area first create a winding, pure canyon section, the top of which can be seen as a clear canyon curved border, the back of the canyon on the south side is the craft beer area fusion bar, three large volume craft beer cans set in a thick wall shape, as if a cave wrapped craft beer factory atmosphere, standing in the bar area can see the entire dining area.

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▲客区中部 ©吴鉴泉

▲峡谷末端 ©吴鉴泉

▲包间与通道汇集处顶部模拟自然光 ©吴鉴泉

峡谷末端往内设置两个包间，其中一个入口狭窄较为私密，使人有向内探究的好奇，另外一个包间较为开敞顶部吊有定制的、具有未来感的吊灯与原始墙面形成对比；两个包间的入口处与峡谷末端形成汇集处，我们在其顶部设计了模拟自然光的采光天井，所以在临近峡谷末端一转弯视野豁然开朗，先看倾泻的自然光再看到地面抬升的客区。

The end of the canyon set in two private rooms, one of the entrance is narrower and more private, creating a fascinating inward exploration of the atmosphere. The entrance of one of them is narrow and private, creating a kind of atmosphere that attracts people to explore inward, while the other one is more open with custom-made, futuristic chandeliers hanging from the top to contrast with the original wall; the entrance of the two private rooms forms a convergence with the end of the canyon, and we designed a light patio on top of it to simulate natural light.

▲包间一氛围 ©吴鉴泉

▲包间一由内向外 ©吴鉴泉

▲包间二氛围 ©吴鉴泉

640 (13).jpg ▲包间二无主灯氛围 ©吴鉴泉

640 (14).jpg ▲包间吊灯局部 ©Linkchance Architects

整个客区从外立面到台地用餐区再到后厨，地面标高逐渐升高，营造变化的序列空间，也打破因层高过低带来的纵向空间压迫感，为减弱这种压迫我们在顶部设置若干椭圆及圆形镜面不锈钢，镜面不锈钢可以反射周边环境，从而使得顶部不显得单调和压抑，同时纵向上有些空间的延伸。

So the view opens up when you turn a corner near the end of the canyon, and you can see the natural light pouring in first and then The whole guest area from the facade to the terrace dining area and then to the back kitchen, the ground elevation gradually rises to create a changing sequence of space, but also to break the vertical space oppression brought about by the low floor height, in order to reduce this oppression we set a number of oval and round mirror stainless steel at the top, mirror stainless steel can reflect the surrounding environment, and make the top does not look monotonous and oppressive, while the vertical space Some extension.

▲拱形卡座由外向内 ©吴鉴泉

现代拱形力：由于空间进深较深，外立面与内部空间需要有过渡空间来缓解空间深度，因此我们设计了一排拱形卡座区来联通外立面与内部，拱形在一定程度上“加宽”了外立面厚度避免单薄，因为太单薄会使得空间力失衡；拱形空间同时增强客人与室内外的互动；

Modern arched force: Due to the deep space, the facade and the interior space need a transition space to ease the depth of the space, so we designed a row of arched seating area to link the facade and the interior, the arched shape "widens" the thickness of the facade to a certain extent to avoid thin, because too thin will make the space force imbalance; arched space at the same time enhances the interaction between guests and the interior and exterior.

640 (16).jpg ▲拱形外立面 ©吴鉴泉

640 (17).jpg ▲客区全景 ©吴鉴泉

640 (18).jpg ▲与外立面一体的拱形卡座区 ©吴鉴泉

外立面灵感来源于乐山大佛的佛洞与佛龛，我们营造拱形外立面序列的时候尽量避免用“正”拱形，而是用了下方洞口大，上方洞口小的渐变式拱形，并在大拱两侧配内凹小拱，卡座恰好镶嵌在小拱形之内，这样既可以省出空间又可以营造人在“佛龛”中的体验，拱的厚度及材质避免用敦实的材料，反而用薄的钢板表面微水泥处理，营造体量之“轻”与峡谷的“重”形成对比。

The façade is inspired by the cave and niche of the Leshan Buddha. We tried to avoid using a 'square' arch when creating the arched façade sequence, and instead used a gradual arch with a large hole at the bottom and a small hole at the top, with small concave arches on both sides of the large arch, and the card holders are set exactly within the small arches, which not only saves space but also creates the experience of being in a 'niche'.

640 (19).jpg ▲ 卡座区 ©吴鉴泉

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▲概念手绘 ©Linkchance Architects

640 (21).jpg ▲安岳石刻纹理&施工现场纹理 ©Linkchance Architects

大自然之冲刷力：空间内外立面起伏线条纹理灵感来自乐山附近的安岳石刻古寺，古寺石刻佛像经常年风吹雨水冲刷形成具有一定规律的痕迹，冲痕相对均质有力，极具现代美学特征。

Nature's scouring power: The undulating lines of the space's interior and exterior façade are inspired by the An Yue stone carvings of the ancient temple near Leshan, which are often washed by the wind and rain over the years to form certain regular traces, with relatively homogeneous and energetic.

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▲入口通道 ©吴鉴泉

总结

空间最内侧是弯曲的、变化的原始峡谷的延伸立面，其体量及氛围是浑厚、重、原始的；靠外立面一侧的体量及氛围是轻薄、几何简约、现代的；整体空间实现了重与轻，原始与现代的平衡。

Conclusion

The most inward side of the space is the curved and changing extended façade of the original canyon, whose volume and atmosphere are thick, heavy and primitive; the volume and atmosphere on the side near the façade are light, geometrically simple and modern; achieving a balance of heavy and light, primitive and modern.

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